Discover your moment on Lufthansa.
(Update 07-20-07) If you could actually read the words on the above image, you'd see that the topmost S-Video-lookin' port is enticingly labeled "3D Synch Out." These sets, and all 2007 Samsung DLPs along with DLPs from some other makers, including Mitsubishi, can display computer content in 3D. You'll need to purchase special software along with third-party kits, which consist of special glasses and an IR emitter, to utilize this feature. The software costs $50 and the kit around $100, and you can get more details here. We'll update this section when we find out more or get a chance to test the system.
Performance
The first thing we can say about the HL-T5687S's picture is that we didn't notice the rainbow effect, to which we're particularly sensitive, during our evaluation period. Even in the most likely places, namely high-contrast scenes such as a single light source in a dark background, those telltale color trails were absent. That's great news for those looking for a DLP but wary of 'bows, but there's a helping of less-good news, too: the HL-T5687S, like its LED-powered predecessor, the HL-S5687W, has a noticeable hot spot in the middle of the screen. Aside from the spot, we found plenty to like about this DLP's picture, from primary color accuracy to excellent detail, but the spot keeps it out of the top tier of rear-projection HDTVs.
As usual, we began our evaluation by adjusting the HL-T5687S for best performance in our darkened room. The first step was reducing its prodigious light output, mainly because we find watching a too-bright TV in a very dark room to be fatiguing after awhile. We settled on our standard light level of around 40 ftl, then set about adjusting the user-menu controls. We found that Gamma -2 produced the best results, with a realistic rise out of black and the most accurate curve, and the Warm2 color temperature preset, as usual, came closest to the 6500K standard. Unfortunately the Samsung's grayscale wasn't very linear--becoming greenish red in very dark areas--so we had to sacrifice the brighter areas, making them bluer than we'd like, to keep shadows looking realistic. The set lacks full controls over color temperature, instead providing just a single slider. That's too bad, because we'd love the ability to adjust the darker and lighter areas independently, as we can on many high-end HDTVs (including Samsung's own flat-panel models). For our full user-menu picture settings, click here or check out the Tips & Tricks section above. We did not perform a service-level calibration of the HL-T5687S, although we do believe it would improve the grayscale linearity.
After setup, we lined the Samsung up against a few other big-screen HDTVs we had on hand. We were not able to include any rear-projection sets in our comparison this time around, so we had to make do with a few 50-inch plasmas, namely the Pioneer PRO-FHD1, the LG 50PC5D, and Samsung's own HP-T5064. We chose to watch Pirates of the Caribbean: Dead Man's Chest on Blu-ray via the Samsung BD-P1200 at 1080i resolution.
Overall, the HL-T5687S delivered a solid, deep shade of black, and the letterbox bars and dark areas of the image appeared every bit as inky as the Samsung plasma, and darker than the other two plasmas we had on hand. Unfortunately, the middle of the screen appeared lighter and somewhat redder than the edges, which became especially visible in dark scenes.
We first saw the problem when looking at full-raster test patterns, which fill the screen with fields ranging from black to white. The brighter area in the middle extended horizontally toward the right and left sides of the screen. All rear-projection HDTVs have a so-called "hot spot" in the middle, to a greater or lesser extent, but on the HL-T5687S, the spot appeared larger and relatively brighter, compared to the rest of the screen, than other rear-projection sets we've tested, where the hot spot was rarely intense enough to be distracting. The screen also became discolored in different areas--while the spot stayed true and close to gray/white as we stepped through the brighter raster patterns, the top, bottom and corners of the screen became significantly bluer. Conversely, in completely black patterns and scenes, the spot appeared redder.
The effects of this uneven uniformity weren't difficult to spot in program material. Watching TV, for example, commercials and graphics during SportsCenter that had predominantly black screens scenes exhibited a brighter area in the middle. Extended darker scenes in Pirates, such as when Jack moves through the interior of the ship in Chapter 4, also brought out the hot spot, and it became especially distracting during camera movement, such as when the shot moved down between decks and the spot illuminated and then darkened the shadows.
Color was a more positive story with the HL-T5687S, although as we mentioned, the set's color temperature was bluer than we'd like to see in bright areas, which had a slight negative effect on skin tones. During the wedding scene in the beginning, for example, the close-ups of Keira Knightley and Orlando Bloom appeared a bit paler and less realistic than on the Pioneer or the Samsung plasma, although the LG looked even paler still. Color decoding was very accurate, however, and as a result there wasn't too much red or ruddiness in their faces, and other colors were well-balanced. As with last year's LED DLP, the HL-T5687S evinced nearly perfect primary color accuracy, which was evident in the realistic green of the jungle palm trees and the reds of the jackets of the British soldiers, which appeared every bit as lush and vibrant as on the Pioneer.
As with all rear-projection sets we've tested, the HL-T5687S evinced some visible stationary screen grain, which became noticeable mostly on white fields such as the overcast sky above the island, and was again exacerbated by camera movement. The grain appears as extremely tiny dots, and it becomes easy to ignore after watching for awhile. Again, like all rear-projection sets, the picture lost a good deal of intensity when we moved off-angle to either side or up or down, especially compared to plasma. Geometry was good, although we did notice slight bowing on horizontal lines across the screen, such as the letterbox bar along the top, but it wasn't severe enough to cause a distraction. Vertical lines, such as the edges of the bars to either side of 4:3 programming, appeared quite straight, with only very minor bowing along the extreme bottom edge. Focus appeared slightly softer than we'd like to see, but that didn't translate to any softness during program material.
Speaking of detail, the Samsung HL-T5687S looked every bit as sharp as the 1080p Pioneer plasma and, frankly, as the lower-resolution Samsung and LG plasmas next to it. Fine details in that spectacular-looking disc, from the tiny droplets of water on Knightley's rain-sprinkled face to the texture of the rocks in the jungle to the braids and clumps in Jack's hair, looked sharp and realistic on the big screen. According to our HD signal generator, the HL-T5687S did resolve every line of resolution from the 1080i test pattern, although it failed (like most HDTVs we've tested) to properly deinterlace film-based 1080i material. We didn't notice any ill effects of improper 1080i deinterlacing during Pirates, so as usual, we qualify it as "no big deal." And in case you're keeping track, the HL-T5687S also accepts 1080p in both 60- and 24-frame-per-second varieties.
To test standard-def sources, we slid the HQV DVD into our DVD player and set it to 480i resolution via component video. The HL-T5687S turned in a relatively disappointing performance for a high-end HDTV. Yes, every line of the DVD format was accounted for, but we did see some minor flicker in the color bar pattern, and the finest lines appeared somewhat softer than we'd like to see. Details in the stonework of the bridge and the grass were also somewhat soft, and nothing we could change in the picture controls helped much. In its favor, the Samsung removed jagged edges from moving diagonal lines, like the stripes of a waving American flag, quite well. We also appreciated the noise reduction controls, which cleaned up the low-quality shots of sunsets and skies nicely. Surprisingly, the HL-T5687S failed HQV's test for 2:3 pulldown detection, introducing a moire effect into the grandstands behind the racing car. We checked our trusty intro from Star Trek: Insurrection and saw similar effects, with jagged edges on the bottom of the upturned boats and moving lines in some of the difficult rooftops. All in all, we definitely recommend using a progressive-scan or upconverting DVD player with this TV and setting your HDTV source to
We tested the HL-T5687S with both analog and digital PC sources, and it performed quite well, although not quite as impressively as many flat-panel displays we've tested. The set accepted a 1,920x1,080 resolution signal via HDMI from our DVI-equipped PC, and according to DisplayMate, it resolved every line of the format in both the horizontal and vertical dimensions. Text looked crisp. Our only problem with this resolution, and it's a big one, is that the edges of the desktop are overscanned significantly, so the taskbar along the bottom, for example, almost disappears. We used the TV's position control to expose as much of the bottom and left sides as possible, but of course, that obscured a lot of the top and right sides. The best solution would be to use a video card that can adjust for overscan while not changing resolution. Otherwise you'll have to step down to 1,366x768 or lower to see the entire desktop. When we tried connecting via VGA, the TV appeared to max out at just 1,024x768, which jibes with the information in the manual.
| TEST | RESULT | SCORE |
| Before color temp (20/80) | 7074/6782K | Good |
| After color temp | 6484/7779K | Poor |
| Before grayscale variation | +/- 283K | Good |
| After grayscale variation | +/- 1151K | Poor |
| Color of red (x/y) | 0.644/0.330 | Good |
| Color of green | 0.299/0.604 | Good |
| Color of blue | 0.150/0.054 | Good |
| Overscan | 3% | Average |
| Black-level retention | All patterns stable | Good |
| Defeatable edge enhancement | Y | Good |
| 480i 2:3 pull-down, 24 fps | N | Poor |
| 1080i video resolution | Pass | Good |
| 1080i film resolution | Fail | Poor |
| Samsung HL-T5687S | Picture settings | ||
| Default | Calibrated | Power Save | |
| Picture on (watts) | 154.78 | 158.11 | N/A |
| Picture on (watts/sq. inch) | 0.12 | 0.12 | N/A |
| Standby (watts) | 0.73 | 0.73 | N/A |
| Cost per year | $47.45 | $48.46 | N/A |
 | |||
| Score (considering size) | Good | ||
| Score (overall) | Good | ||
- See more CNET content tagged:
- DLP,
- Samsung Electronics,
- light-emitting diode,
- JVC,
- HDTV
User reviews
- Average user rating: 3.5 stars out of 14 reviews
- My rating: 0 stars Write review
-
Showing 3 of 14 user reviewsSee all 14 user reviews
-
19 out of 20 people found this review helpful
"DLP "LED" sets have NO "color wheel", so there is NO "rainbow effect" !!"
-
6 out of 6 people found this review helpful
-
3 out of 3 people found this review helpful
- See all 14 user reviews Write review
Submit your review
Where to buy
Samsung HL-T5687S:
$999.99 - $2,110.20
| store | price | in stock? | rating |
|---|---|---|---|
|
Electronique Plus
|
$1,497.00 | Yes |
|
|
$2,110.20 | Yes |
|
|
Second Act
|
$999.99 | Yes |
|
